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Wine as Education

Wine is more than just a drink these days. We attend wine tastings, events and courses. We buy wine tasting kits. We drive down wine trails visiting vineyards. Some even take exams on the matter. We want to know what we are doing. We want expertise. Why?

For the full article, see Wine as Education (html),  Color Magazine USA, Ed. 39, August 2011.


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Towards a Sociology of Chardonnay (Part I)

Cold French wine Chablis made from Chardonnay

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Building up to my upcoming piece on the sociology of Chardonnay, I wanted to recall a 2007 piece on the subject. In the article A glass of versatility in the June issue of New Statesman, Roger Scruton says the following:

Everyone knows about Chardonnay. At least, they think they do. How it has happened is a deep question of sociology; but it has happened, and there is no going back: everybody today has a clear and distinct idea of Chardonnay. Go to any competent restaurant in this brave new world, and there will be a selection of Chardonnays on the wine list. Enter a bar anywhere in Britain, Australia or America and ask for a glass of Chardonnay, and you will be instantly obliged. People who know nothing about wine have nevertheless heard of Chardonnay, and in all probability retain a memory of tasting it. It is a wine people rely on, swear by and sometimes even recognise. Yet there is hardly any grape with so varied and unpredictable a taste…

The sociologist’s task is indeed to try to figure out why, how, when and who on earth would be responsible for such a paradox. Is it branding? Is it something about the taste, contrary to what Scruton says? What about the French or France factor–we all have a stereotypical and positive view of that place when it comes to elegant food and drink? Or the fact that Chateau Montelena won the 1976 Paris tasting?

Chardonnay is the grape from which the world’s greatest white wine is grown in those tiny Burgundian vineyards whose legendary names – Montrachet, Blagny, Corton-Charlemagne – expand in the brain as their wines expand on the palate. But the same grape produces the steely wine of Chablis, the oily estate wines of Australia, the carefully regulated brands from California, and the madcap Chardonnays of the Languedoc, often produced by Australian exiles in flight from some scandal back home. It is the world’s most versatile grape, producing sharp and sprightly aperitifs to rival the fragrant, buttery wines of the Côte d’Or.

What is happening in the world of Chardonnay? Have you noticed anything? Do you like Chardonnay more or less now than before? What characteristics of this grape is it that lets consumers go crazy for it? Is it simply that it is easer to say “Chardonnay” than try to remember one of those other white grape varietals? Is the selection pretty bad? Is Chardonnay the altogether king of white wine grapes? Let me know.

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Chateau de Saint Martin in Provence (with audio)

A glass of rosé wine. The color is deeper than...

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Chateau de Saint-Martin is an ancient place ruled by women for millennia. Providing a particular perception of her US consumers, Adeline de Barry, owner of Château Saint Martin, said to me: “we have two bottle shapes, one traditional one for local tourists and for the American market, and one more elegant one for the Paris market.” She should know, since she is aristocracy herself and her wine is served in the Élysée Palace.

Château de Saint Martin Eternelle Favorite rosé (2009, $15, 90/10)

The floral perfume of rose petal and fragrant, subtle spices is immediate on the nose. What follows  is delicate red fruits with hints of mandarin, grapefruit, almonds, spice, ginger and a long, lingering aftertaste unheard of for a young rosé. The wine simply blew me away and the bottle is extraordinarly chic, cool and  cosmopolitan for a traditionally minded French region. The whole experience strangely made me start trying to imagine how vodka would taste if it were made in the Mediterranean climate. It also made me think of the concepts of beauty, purity, and aristocracy, quite fitting for my tasting location in a Château where noble men and most importantly women have lived for centuries and centuries. Having dinner into the night with Ana Chavarri Padilla, winemaker and Adeline de Barry, owner, I felt fortunate to experience the unique pleasures of a simple wine writer, unique attention and care. Their pitch is “a rosé devoted to women’s pleasure”.  Are their wines feminine? I think so. But they are never trying to hard. They just are.

I have massive amounts of audio from my time spent at this Chateau, most of it in English, some in French. I will (hopefully) add some short video shortly. Listening to these sound tracks it should be possible to imagine you are right in Provence in the middle of Winter.

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Wine Wars

Wine used to be simple. You liked it or you didn’t. You could afford it or not. You could buy it in your local shop or you couldn’t. Easy. Wine is not so simple any more. Are you confident you drink the wine you believe in? The terroir police are after you. Drinking wine these days is an ideological choice. Do you buy global or local? Do you prefer US, international or a regional style? It’s time to decide what side you are on. Do you pledge allegiance to big business or with the small farmer? How do you even know which is which? This is complex, but you can crack it.

See Wine Wars (html): Terroir-torial disputes of Place, Politics and Profits, online now, including vintner interviews (Macari, Martha Clara), Trond’s Wine Picks (Lavoro Syrah, Bergen Road Macari Bordeaux blend, Black Coyote cab) and links to a small selection of sites that discuss how terroir matters to consumers.

A paper version is available for free in the streets of Boston and New York City.  Also, see this blog’s list of all Color Magazine Wine Columns.

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Interview with Joseph Macari Jr., Macari Vineyards, Long Island (audio w/transcript)

In the forthcoming issue of Color Magazine, there will be an article including a short section about the fantastic Macari Vineyards on Long Island in New York state. Here, I want to include tree longer audio segments from my extensive interview with the owner, Joseph Macari Jr. A partial transcript is included below.   Part I

Part II

Part III

Macari is among the largest producers on the East Coast and is on an upward trajectory. They employ 35 people, the vineyard is 440 acres. So far, 200 acres are planted with vines. Macari also has two tasting rooms where over half of their business is made. Joseph’s view on terroir, wine, Long Island, and biodynamic farming are fascinating. The lengths to which he goes to keep in with the spirits is, well, particular, and quite inspiring.

Macari Vineyards’ 180 acres of vines, producing 17 thousand cases a year are enriched by biodynamic composts with fish heads, manure, horns, kelp, and nettle tea and is home to cows, goats, Sicilian donkeys and ducks. This recreation of a pastoral past is mind blowing for a place near New York City. But this is not the Age of Innocence. Terroir is about possession. If you possess terroir, you have power. The power of place. Macari Vineyards is definitely aspiring to terroir, to power, and to becoming a great place.

Who are you selling this wine to?

We sell 60 percent out of the tasting room here on Long Island. We also have a good presence in restaurants in NYC and Brooklyn. We have distribution across New York state. In my view, everyone wants a local product. Wine has been stepping up to the plate.

You are second generation?

No, I started this in ’95, my father and wife, my wife and I. We had most of the property since ’63. We were up to 500 acres, then we sold some and were are now at a comfortable 440 acres. We go from Sound avenue to the Long Island sound, almost a mile.

Why did you get into wine?

This was a potato farm. They grew hay and straw. I moved out from the city to raise kids out here. I was driving into the city every day. Got real tired of that. My father loved wine. Wanted to look into this industry. See if we liked it. We had the property. Decided to plant a little. Planted 67 acres the first years. Another 40 next year. Created a big situation. One of the biggest on the East Coast. We still have to do more with the sales. But we are so busy that we are focused more on the quality than on the marketing right now.

Have you gotten attention from wine writers?

Yeah, a whole history. Upstairs, we have a book with all the awards since ’97, when we made our first real vintage. We made wines when most of the vines were only 3 years old. That is when I realized that Long Island had great potential. The sky is the limit here. Whatever you put into the land and your soil. The work you do outside shows directly in the bottle. It is how committed you are to the earth.

Why did it take so long for vineyards out here?

Because it is just a natural progression of a region. I also believe it is really hard to grow fruit here in this volume, this quantity is really hard with the weather conditions. The vintage variation from year to year is extreme. Obviously, ,this year we had a stunning, incredible year, like nobody has ever seen before. Way above the curve, even with this week’s rain. Every region has a natural progression. It takes time. You can’t rush it. You have to accept it. You have to stick it out. It might not be my generation that will do really great. Even though we are doing great. It might be my son or his son. Because, you see, wine is generational. The land, it takes a long time to really know what’s right, what to plant. You are dealing with this weather. It is incredibly hard.

So it takes decades?

With wine, totally. Even though in America here we are making some of the best beers in the world now. We are making incredible wine in a short period of time. But still, the romanticism, and the whole idea of loving wine and the history of wine is just so much history that you want to have the age with it. You want to have the knowledge that comes with age and generation.

I was just watching Bottleshock, this movie about the Californian wine industry before they won that competition in 1976…

Yeah, great movie.

Is any of that going to happen in Long island?

Yes, I think it is happening. If you taste some of my wine you are going to be chocked at the quality of wine. That keeps me waking up every morning. The wine quality is phenomenal. If you don’t over-oak it. Don’t pour chemicals into your soil. Don’t put nitrogen. You could really settle the plant down into its own and make some beautiful fruit. I could show you some wines that if you were blindfolded, you wouldn’t know if they were from New Zealand, Loire, Bordeaux. Not that I want to compare my wine to them, but, obviously.

So where are you now in your trajectory?

We are definitely above the curve. Whatever that is I cannot really say. A lot of people are making great wine out here. And it shows. You can tell right away. Who is serious. Like I said, I am very into my farm and the earth. We live here. We work here. We play here. We walk through the property. I got my dogs here. We don’t want to hammer it with all sorts of nasty stuff. We try to be gentle. But the more your intentions are correct on your land, the more you are going to get out of it. The more you work with mother nature. It takes generations. I am very happy with where I am now but I know the sky is the limit.

What was your background?

I managed property and real estate in Queens and built some houses. I moved out here because I raised dogs and needed land for my dogs. I always loved wine. Basically, all was Italian wine. Now, I have the love for world wine. My grandmother was from Italy. My mother’s side is actually early American. So that is our background.

One of the reasons why I picked your winery to visit was that I found some old info on the internet that you had a quite international crowd here for a while. A Chilean wine maker, Paola Valverde?

Yes, she just left. She was with us for 7 years and did a great job. For the next coup;le of years you will be tasting her wine here. We needed a full time person, which is Kelly. We are very happy with her enthusiasm and credentials. We had a guy from France, Gilles Martin, who was very accomplished. We had a great guy from Spain. I always felt that since this region is so young, I wanted to pull from all these other regions. It just felt good, satisfying me to pull from history. Helmut Gangl, from Austria. I did not go to school for this. It is all practical knowledge. So, I learn from all of these people. We have friends, Masi in Argentina, people in Spain. All over. France. It is good to have those connections. You are always learning.

Thanks for taking the time in the middle of harvest [He now takes me out to the yard to see the winemaker, Kelly Urbanik] What are we doing here?

Sorting out the grass, green berries, anything that’s bad. Without getting stung by bees.

Why do you enjoy being a wine maker? You seem to be having fun out here? What’s the attraction?

It is a fun job a net job because it incorporates the whole growing season which culminates in the harvest. Stressed the whole year. It is hard work but the rewards are great.

Joseph interjects: “wine brings everybody together. Make peace not war.”

I used to pick blueberries like this. I am from Norway. We have blueberries.

Wow. I planted a hundred blueberry bushes this year. We love them. Great antioxidant.

What principles have you taken on board, working with the vineyard. What is most important?

One of the first thing Joe told me is that he wanted the wines to express the vineyard. Our goal is to try not to manipulate the vines. Try to let them express the property, let the vineyard shine through without masking that. Let the vines speak for themselves.

[I come to realize that I am actually distracting her. Finally, understanding that, I move out of her way and continue the conversation with Joe]

You have water on both sides. The sound. The bay. The ocean. An incredible, unique situation. A lot of varieties grow great here. You have the sandy soil. Free draining. That is a plus. Don’t have to deal with root stain wet. And you have the breeze if things get wet, the breeze dries things right away. Lot of gray areas. A lot of humidity. Also a lot of positives. The region keeps getting bigger and bigger. The positives outweigh the negatives.

Are you able to learn from the community? Knowledge hub?

There is Cornell station. They are really knowledgeable. Otherwise, there is some jealousy like in anything. If you need anything you make a phone call and everyone is there to help you. Everyone is busy, but if you need help they will come together.

Tell me about your compost, which is particular…

The Indians uset to put the corn in the heads of the fish and plant it right in the fish head. My grandmother grew up with the fish head right by the potato plant. So I started getting better compost. I have 10 years of getting fish for the compost. Plus we get kelp to blend in with the minerals.

How did you get into the biodynamic stuff? Is it from your grandmother?

My friend was a potato farmer right next to us. Everything is green and beautiful, next day everything is brown. I said, Bill, what happened? He says, well I had to spray it with Gramoxone so I can pick the potatoes. That stuff is bad for you. The first two years we had someone here putting that stuff on our vines. I haven’t used a herbicide in five years now. That’s when I started learning about all of the other stuff. Started eating organic. Knowing where my food came from. You have to know what you put on your soil.

But you are not ready to get certified?

No. I am certified crazy. If I was in a hot region I would be there already. I have a horn pit. I have a 100 horns. It is beautiful.

[His wife, Alexandra, walks by] Busy?

We must have had 1000 tastings in here yesterday. It gets busy during the weekend. We get 60 percent of our business is from tasting rooms. We get lots of visitors from Boston. We had a distributor. Problem is not allowed to ship to Massachusetts. We are so small. Maybe you could help us find somebody (she says, jokingly)?

How about your compost?

The pile down here is all laced with fish. We dumped 30K pounds of fish. We layered it with different compost. This is what we lay down. I will dig into it to show you. Now, I don’t put any chemical fertilizer in there at all. This is totally beautiful and clean. This is a two year thing. This is what I use to feed my vines. Everyone puts chemical down. Cow manure will heal the earth. When you take something you want to give something back. This is my way. We have been doing this for 12 years. On the top you see crab shells, some minerals and kelp. We lace all the tops.

[We are in Joe’s truck. We move further around the property]

This is a little greenhouse. I have 18 different types of figs in there. My pop likes the figs.

It is important to see the composting. You work with mother nature and mother nature will work with you. I got earthworms everywhere. You could put your hands into the soil and pick it up it is all crumbly and beautiful, smell it. If you use herbicides it becomes like cement. It is like a matrix. You want to keep your soils alive. Once they are alive, you can work with them. But you got to get them to that point.

Do you think you can double your business?

Totally. In 3-5 years.


Next year we will break even, after 14 years.

[We drive onwards. Joe points]

Nettles. Every plant in the world loves nettles. We cut the top and make pasta. Nettle pasta.

We have a ¼ acre planted. Turkeys, chicken, ducks, chickens, rabbits. Cattle. To me, the more diversity that you see, the easier it is to do the organics. The more life force you have on your property. It is all about life force. The energy that comes in and connects with the cosmos.

But all of this life force it must be an enormous maintenance issue?

Yes. I have 2 guys who take care of the animals. But basically, I concentrate more on the soil than on the vines. I know it should be the opposite. My soil is rocking. You can taste it. You can see it. Nothing is going to stop us now. Once your farm is alive, you have that connection…but you have to have the right intention. Sometimes your intention is more important than what you do.

What intention do you have?

To create life. To create a living cycle. Have your own production, the food, the wine, life force.

[We arrive at the edge of the woods, and a pit, essentially a small whole in the ground manifests itself]

Usually the pit is open. The clay on the outside. The clay protects the horn manure from the worms. But you can also spray this. The horn is like an antenna. The energy comes in the horn. The cow is such a digestive creature. The horn manure. They tried it in glass, in clay, in all different types of vessels. Only in a horn does it turn to this. 1/3 of a cup per acre. A ton of fusion. You stir it for an hour. Special sprayers that don’t get any chemicals at all. We stir it, screen it and spray it on the ground. You don’t have to spray it everywhere. Just on the blocks. Every two or three rows. Then you are done. I’m proud of this.

What happens to the horn?

We take everything out. We put it in a clay pot. The horn gets reused. The stuff gets put in a clay pot. We store it in a root cellar. I probably have enough to inoculate the whole island. This is the only hole we have been using. Every year we use the same hole. Right on the edge of the woods. This stuff is freaking phenomenal.

Why do you think a lot of people don’t believe in this?

Well, if you are a scientist. They think it is hocus pocus. If you believe everything is scientific…you study a frog, you cut a frog open, you dissect it. But, I say, if you want to go study a frog, go live with it. It is the same thing. There are 100 horns in there. That is way more than what I need.

This is the first time I have seen this in action.

I like the mystery. They talk about the nature spirits. How great is that, that there is nature spirits helping us do the right thing for the property. Gnomes.

Would you say that your workers, everybody else on this farm, your wife, believes as strongly as you in this?

No. I know my wife does. Maybe a couple of workers. The general population have seen me composting for 10 years, but they don’t really know. They know I get the fish. They know I stir barrel compost. They see it. They probably believe in it, but they don’t know about it. The key people who need to know, my wife, my kids, they know. My 14, 17, 21 year old sons are all into it.

It is what your intention is on your property. It is what you want it to be.

Did you buy it all?

This side of the road we had since ’63, this side we bought in ’98. In ’63, obviously, things were a lot cheaper. My dad, he was going to build some houses here. He didn’t. Was busy in the city. We are all glad he didn’t. Good things take time and patience. But you tasted the wine, you can see for yourself that we are on the right direction.

It is a process, as you said.

Donkeys, the animals on the farm are really really important. Their manure is being used. I know I am saying a lot of stuff. Probably sounds crazy. I believe that if I do my little part. Slowly. If you do something good, it spreads. Plus, with all the cancers in the world. It looks like a carrot but it is not a carrot. You have to know where your food is coming from. Where your wine is coming from. When I eat something I want to know. Who grew that? You want to know a little more. You want to know that someone put their love into it. Good intentions. I don’t want to sound too crazy. If I could not do this my way, I would not do it. Animals bring a whole different spirituality. They are living and breathing here, adding to the property. This is crazy for most people. But this is the reason I am here.

Is there any interest from the City? (meaning New York city)

That is our savior. This is why other regions are interested. It is our life saver. Brings tourists out. So close. One of the closest. We get more tourists here. You could do this whole region in 2-3 days. Everybody is very close. It is a fantastic growing region when mother nature works with us. We are making fantastic wines. The City realizes that now. For so long they rejected us. They wouldn’t give us the time of day. And you cannot blame them. I could get my Chateau Figeac. I can cherry pick the whole world going to NYC. So you cannot blame them.

A region has a natural succession. It takes time. You cannot jump start it. You cannot push it beyond its schedule. It will always go back and take the time it takes. That means everybody doing the right thing. I am not saying I make great wine. I want to make great wine.

Do you see that around you?

Bedell, Lenz. Raphael is on the track. Paumanok is on that same track. We are not going to be satisfied making farm wine. We are no: “Wow. This is Long Island? This is amazing.” That is enough for me. That will carry me along another month or two. You need to get that. So many problems. But you can definitely turn heads when they try wine. If you cannot stand up to world class wine I wouldn’t be doing it. But again, the region has its own time line.

You are saying. Even if one winery did great things for 1-2 years, it would not help?

Well, yes. We do have the technology to jump ahead. But in reality we all want to drink European wine. We want to hear the history. We want to know you were there for generations.

Well. The Americans, maybe. But for Europeans, their history is already there. I am Norwegian [so I know]. They are fascinated by history that is 5 years old, 10 years old.

Ok, so I guess there are other ways to look at it. It could be an excuse I am making. An excuse for everyone I am saying is great. I am not saying that. Wine is definitely generational. I think that my son will do better than I am doing. He is studying viticuture. It is a huge farm. We need help.

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Immigrant Wine Growers Shape Napa Valley

16th Century wine press, displayed at Robert M...

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See Immigrant Wine Growers Shape Napa Valley (html), online now, including vintner interviews (Black CoyoteCeja,  Lavoro, Marita’s Vineyard, Robledo, Tricycle), Trond’s Wine Picks (Maritas’ Vineyard Cab, Rios Wine’s Mixco and Robledo’s Cab) and links to the Napa Valley Wine Scene.  A paper version is available for free in the streets of Boston and New York City. Also, see this blog’s list of all Color Magazine Wine Columns.

The American Dream always awakes and inspires recent immigrants. Napa Valley is no exception. Charles Krug, a 27-year-old Prussian immigrant, founded the first winery in 1861. Other Europeans, particularly Italians, Germans and French, followed. In 1966, Robert Mondavi, of Italian descent, built Napa Valley’s first major winery and shaped the Valley into one of the most important wine growing regions in the world. Well, so much for romantic history.


Arguably, the wine industry is now being transformed by another immigrant wave, the Hispanics, who bring with them their own ways of thinking about community, ownership, quality, tradition and terroir, and not always in unison.

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How does it differ from other books?


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Continuing to think about writing a book on the Sociology of Wine, I might have to answer how my book would differ from Tyler Colman‘s excellent Wine Politics (2008). To this,  would say, I will continue in this vein, with increased focus on people, culture and non-state actors, innovators, and particularly upon minority winemakers. Within a sociology of wine there is such a thing as the sociology of wine politics, but there is more to it than that.

Or, I might have to position myself against an encyclopedic effort such as Brostrom & Brostrim’s The Business of Wine (2008). I would simply say that the business side clearly is very important to my topic. The reason is that there would be no sociology of wine without a business rationale for winemaking. The rational will vary between locales and with the degree of marketing or entrepreneurial talent (or ideology towards those things). Customers and consumers around the world come in many flavors and segments, and there is plenty of wine for everyone, but, not so easy to make money on wine. However, is it really true that it takes a few million dollars to earn a million in wine? Clearly, there are people who disagree. I will try to gather evidence of both, and see who thinks what, and why.

A more difficult task, one would think, might be to differentiate myself from Steve Charters’ (2006) Wine and Society: The Cultural and Social Context of a Drink, although his work is a bit dated already. It was a Ph.D thesis long in the coming already back then. To this, I have to say, Steve does bring up an interesting panoply of issues such as historical and cultural factors shaping wine production, place marketing, the contemporary wine consume. He is quite focused on the social dimension of wine. However, his work is, unfortunately, quite technical. With this I mean burdened with academic references and lingo of little interest to the casual reader or even to the professional wine student or trade professional. Having written a Ph.D thesis myself, I fully understand. I think mine was read by a maximum of 3 people, and they were all paid to do so.  The ideas in there, luckily, survived, but not in the same format.

The bulk of Steve’s book is spent on an analysis of marketing efforts. I happen to be quite critical of marketing, and even though it is interesting to deconstruct marketing messages, it feels slightly misleading to make this the main focus of a book on the sociology of wine. After all, it is the sociological underpinnings of society, how it differs from culture to culture, how it intersects with variables like gender, social background, ethnicity, status, class, social role, etc. that interests me the most. Hopefully, this can be conveyed to the readers as well.

If I ever write a  book proposal, I might have to expand on these points. Luckily, there are lots of ways to publish these days. I have already tried the self-publishing route with my previous management book Leadership From Below. As I have documented elsewhere (see The Origins of Leadership From Below), self-publishing was not my first choice. In fact, I was refused the right to publish by my then boss at the European Commission I, probably wisely so, did not want to take the risk that my new employer, Oracle Corporation would have the same opinion or at least delay publication).

In short, my experience became  an arduous affair where I discovered that the writing of the book is the easy part, it is the marketing that is difficult. I also learned a lot about the book trade, such as the fact that less than 1% of books actually sell, whether or not they have a reputable publisher. Another option is to convince Color Magazine to somehow issue my work. After all, they like my wine columns, why would they not like my book length stuff? But, do they care? Their priority one right now is to issue a Magazine. I will have to find out. The third option might be to pitch it to publishers. I am not foreign to the thought.

Well. Publishers. The first thing they will ask themselves is: does Trond have a platform, a vantage point from which he can speak authoritatively (or be perceived as such), and from which he can reasonably be expected to recoup our initial investment, i.e. the first printing of 750 books, if lucky.

Do I have a platform? I don’t know. I do, mysteriously, write a monthly wine column for an up-and-coming, soon to be national magazine. I have credentials in social science. I have published a book already. I know a lot of people and I maintain several blogs and social networks, online and otherwise. In the end, my assumption is going to be that I need a bit more. This is why I am reaching out to bloggers, readers, and wine communities everywhere. Help shape this book. Make your voice heard. It serves nobody to write my own sociology of wine. What I want is a dynamic work developed jointly with the leading voices around the world. Leading voices, by the way, could be established, up-and-coming, young, old, traditional or innovative. I want to portray the situation as it is, as it is experienced, rather, and then add a few layers of analysis on top. But if you do not agree with the analysis, please speak up. So, yes, it is a different book. Has it been done before? Possibly. Co-writing online and in dialog with readers is popular these days. But I have seldom seen it executed well. Maybe because it is so difficult.

In the end, what publishers know, and what I am starting to realize, is that your platform is not so much about yourself, as it is about your network. It is certainly not what I know now that will determine what this book will be about. It is much more about what I am prepared to find out. Being open to learning new things, being willing to go anywhere there is a lead, and having a certain ability to document the process, is what this will be all about. But, in the end, it will be a physical book, with all the finality of that product. Not that that has ever stopped anybody from reflecting much beyond the argument contained therein.

The beauty of books is, of course, that you can freely interpret what it means to you. Good books have more to bring to the table, not because of the information in them, but because their cognitive structure allows the reader’s intellect to mesh with what’s already written down. Any good book should be like that. A sociology book should certainly be like that. Will there be references, theories, methods, data, statistics, analysis, and all that. You bet. But not the usual way. Stay tuned.

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